D-Log to Rec.709

Free DJI Mavic 4 Pro LUT (D-Log to Rec.709)

Turns the Mavic 4 Pro's D-Log / D-Gamut footage into normal-looking Rec.709 video. One .cube LUT, free for any project, no email.

Download the free D-Log LUT

The zip holds the same LUT twice: a 65-point file for editing, and a 33-point file for monitoring on a camera or in an app, or for older apps that won't load the larger one.

Built from DJI's published spec and checked against DJI's own LUT.

D-Log / D-Gamut frame as recorded, flat and grey

D-Log, as recorded

The same frame converted to Rec.709 with the D-Log LUT

With the LUT

Shot on Sony FX30 (S-Log3) and re-encoded into D-Log / D-Gamut to show the conversion.

The LUT converts D-Log with D-Gamut color, as the manufacturer publishes them, into Rec.709 through the ACES 2.0 output (SDR, 100 nits).

Built from: DJI, White Paper on D-Log and D-Gamut of DJI Cinema Color System.

Set up the Mavic 4 Pro

  • All three cameras: HLG/D-Log M/D-Log, 10-bit (4:2:2 H.264 ALL-I on 512GB Creator Combo, else 4:2:0 H.265).
  • Hasselblad camera video ISO: D-Log 400-6400, D-Log M 100-6400; medium tele and tele: D-Log 400-3200, D-Log M 100-3200 (slow motion: 400-3200 / 100-3200).

Exposure

For D-Log: DJI's D-Log/D-Gamut white paper (listed on Mavic 4 Pro downloads) puts 18% grey at 10-bit code 408 (curve defined at EI 1600 and scaled by EI). None published for D-Log M.

Sources

  • dji.com

    Per-camera ISO per color mode; HLG/D-Log M/D-Log sampling

  • dji.com

    DJI announcement dated 2025-05-13: all three cameras 10-bit D-Log, D-Log M and HLG

  • dji.com

    Downloads list the D-Log/D-Gamut white paper and ACES workflow

  • dl.djicdn.com

    D-Log 18% grey = 10-bit code 408; D-Gamut primaries

  • dji.com

    Official Mavic 4 Pro D-Log to Rec.709 LUT (2025-05-13); a vivid version also exists

  • dji.com

    DJI's own LUTs, free from the maker under the maker's terms.

Updated September 26, 2026